What’s to come in 2014

Companies are now targeting customers more effectively, as demonstrated by the Mini DOOH campaign

Companies are now targeting customers more effectively, as demonstrated by the Mini DOOH campaign

Digital out-of-home continued to grow in 2013 – and it doesn’t look like slowing down in 2014. With lower prices and greater ease of use, the market is expanding into areas that perhaps wouldn’t have considered digital signage as an option before.

Compared with traditional advertising mediums, such as TV, radio or the internet, DOOH has been able to offer brands more control over their content and a better idea of the exposure they have. The interactive capacity of DOOH, as well as its ability to gather information through facial recognition and mobile technologies, puts it firmly on media planners’ maps. Talon’s chief executive Eric Newham calls it ‘face time’, in that it allows advertisers to choose who they talk to directly.

Richard Blackburn, commercial director at MediaCo, agrees with this suggestion: “The hottest trends in digital signage are currently facial detection and touch. Facial detection is not, in itself, changing the role of digital signage, but it does add another dimension for advertisers seeking to better understand how people react to creative engagement. This ensures that brand content not only evolves over the duration of the campaign, but also delivers relevant content to people.

“By combining touch capacity with this, we can deliver activation as well as branding,” he adds. “It is a potent mix.”

Liam Boyle, managing director of Monster Media, believes that this development shows the potency of DOOH: “I’m enjoying the continued use of data and analytics that help to prove the effectiveness of the medium. Measureable results support creative and demonstrate the power of integrated and interactive campaigns.”

The digitisation of OOH cannot be stopped and management tools for this fast and flexible medium are essential. Mike Dillon, director of Key Systems, opines: “Having seen the growth of digital assets amongst our traditional OOH clients, we know that the industry needs flexible and robust asset management tools.

“Our digital director is helping media owners and agencies to put the right content onto the right screens at the right time. It also provides proof of posting, which can be accessed through any Windows-enabled mobile device. Big data means big business for DOOH, but you need software that can process the whole life cycle of the campaign.”

Tim Harvey, director of digital strategy at JCDecaux, adds: “Facilitating the buying process by removing layers of administration and complexity between the brand and media owner is key. We need to prove the ROI of the medium through display metrics, through hardware and software performance, mixed in with audience data from EPOS and mobile search channels.”

When it comes to screens and players, simple is best. Companies that have put their bets on easy, transparent and straightforward operations are reaping the benefits. Signagelive is a good example of this, having seen a 40 percent growth in the past twelve months. Jason Cremins, Signagelive’s chief executive, comments: “The biggest trend has been the shift from exclusively AV-Systems Integrators installing digital signage networks to a mix of both AV and IT-Enterprise resellers that are now moving into the sector.”

Cremins attributes this trend to the simplification of end-user devices deployed for digital signage purposes, including Samsung Smart Signage and Android devices. Installation and maintenance of these digital display systems are so easy that AV resellers might need to rethink their strategies.

“We’ve seen a major retailer purchase its Samsung Signagelive Smart Signage displays from a major IT reseller, and then decide to install and maintain its digital signage by itself,” continues Cremins. “Previously, this type of deal would have been sold and installed by a specialist AV reseller.”

In terms of content, the move to HTML5 for media playback has encouraged other sectors, such as web designers, to create dynamic passive and interactive content and applications for digital signage, while the uptake of Android has helped hasten the spread of DOOH.

Content also poses a challenge in ultra HD, or 4K. The industry seems positive about its emergence but, due to the lack of components, content and the current cost, we will wait a while before we see it fully implemented across the DOOH spectrum.

For Matrox’s sales account manager Rob Moodey, though, the unmentioned barrier is actually in bringing the content to the screen. “The normal DOOH distribution architecture uses cat5 extenders, while ultra HD requires fibre optics, such as Avio’s KVM extender,” he explains. “For DOOH, more than just 4K, I foresee up-scaled, dynamic, full-HD content.”

For 2014, we can expect to see more fully integrated digital signage, in terms of hardware and software. Incorporating NFC, touch-less interactions and brand message personalisation will be a must. DOOH will also cease to be a separate category for advertisers, as it begins to lead the way on media planning.

First published 17 January 2014 – Output

Out-of-home: the new mass media?

This year's edition of Outdoor Works was hosted at the British Museum in London

This year’s edition of Outdoor Works was hosted at the British Museum in London

“We are here to give you confidence that outdoor works as a medium,” Mike Baker, Outdoor Media Centre’s chief executive officer, announces at the start of the Outdoor Works conference. Gathering media owners, agencies and end clients together, the event attracted a full house of almost 300 participants to analyse trends and opportunities within out-of-home.

With a focus on five key benefits that out-of-home brings to the table for brands – connection, influence, activation, amplification and inspiration – the speakers demonstrated how and why outdoor media provides a unique opportunity to communicate with audiences and how emerging technology is making OOH sleeker, more targeted and accountable, and bringing brands closer to the client.

“The planning of outdoor thus far has been like picking our noses with rubber gloves,” argues Justin Gibbons, creative director at Arena Media, in his talk. He believes that the current market approach to outdoor advertising can be greatly improved upon by using tools such as NFC, geo-location, crowd evaluation and audience measurement. “Today, information can be granular. Using research bodies such as Route, agencies can have detailed audience information to create more effective campaigns. Dayparting finally means something.”

Richard Reed, co-founder of Innocent Drinks, shared the story as to how his business grew from a humble market store run by three friends into a successful enterprise that ended up being bought by Coca-Cola. Outdoor advertising played a part in its growth and – in their case – location was particularly crucial to the promotion of their brand.

“When we just started with Innocent, we were desperate to get into supermarkets,” Reed confesses. “We were a bit cheeky and sent out a press release announcing that we were doing a national poster campaign. The reality was that we had a five-billboard campaign. The advertisements were located just outside the head offices of the main supermarkets. After that, we had our first order from Waitrose.

“OOH is the only medium that allows any organisation to address the whole nation at once. TV is no longer the mass medium as it’s too fragmented. Posters are like the fridge door of the nation.”

Verica Djurdjevic, a strategic media planner and managing director of PHD Media, talked about the power and influence of context in out-of-home: “By understanding environmental and location contexts and aligning message, moment and mind-set, the power and influence of OOH campaigns can clearly be demonstrated.”

She suggests that more should be demanded from media and OOH agencies: “Any format has a context. Make sure context is taken into account. OOH needs to embrace audience and contextual diversity. Set the right KPIs from the start in order to measure success – and don’t be afraid of the production implications. The world of digital makes it easier.”

Focusing on direct interaction with customers, David Rowan, editor of Wired UK, walked us through well-known mobile phone capacities such as NFC, QR codes and instant internet connection. He also mentioned the lesser-known Apple technology iBeacon, which takes advantage of the very low-power, low-data rate spec that is part of Bluetooth v4: Bluetooth Low Energy (BLE). It works in a similar manner to NFC but is based on Apple’s iOS 7. Tesco is one of the first companies currently trialling the technology.

“The debate on privacy is hot at the moment, though there is a huge business opportunity to advertisers who understand the value of predictive analytics, behavioural tracking, emotional response measurement and the frictionless path to direct payment via mobile devices,” he asserts.

The refrain that the consumer process should be ‘frictionless’ was one that was often repeated throughout the Outdoor Works conference, the thinking behind this being that there should exist a seamless customer cycle of ‘like, want and purchase’.

Tim Spence, senior partner at Truth Consulting, believes that out-of-home works in the context of an evolving cultural landscape: “OOH isn’t just static and peripheral. It guides us in layers. It is mobile and multi-faceted, providing us with dynamic visual stimulation from which we can cherry pick that which moves us and appeals to our senses.”

Creative agencies and advertisers need to start thinking of out-of-home as an ever-present, blank canvas that can host effective, dynamic messages. Measurement technology is there so that advertisers can maximise the effectiveness of campaigns. The focus now surely has to be on maximising contextual creativity and ensuring frictionless transactions for the customer.

First published 11 October 2013 – Output